Andrew Koji and Noah Centineo are excellent as Ryu and Ken, Vidyut Jammwal gets some meaty screentime, and Callina Liang gives us an excellent Chun-Li—but will it be enough for fans? Here is the full spoiler-free review
Directed by Balaji Mohan, 'Nayyi Navelli' is a disappointing horror-comedy starring Yami Gautam that blends a witch suspicion plot with elements from the Ramayana, but ultimately suffers from weak writing and a dull execution
Despite featuring a strong comedic first half and stellar performances, the Rajinikanth movie struggles with repetitive tropes and underwhelming cameos, not to mention underutilised new additions
Awkward, in a good way, and polarising, 'Digger' marks a much-welcome departure from Cruise's most recent action-heavy roles
'Drishyam 3: The Conclusion', led by Ajay Devgn, excels by opting for a unique narrative rather than mimicking its predecessors, focusing on emotional depth and intricate storytelling about perceived, genuine, and fabricated truths
'Yezhu Kadal Yezhu Malai', directed by Ram and starring Nivin Pauly as an 8,000-year-old immortal, explores the profound weight of an unending existence, particularly the burden of painful memories over joyful ones
Despite a premise that could have explored environmental themes, the movie devolves into advocating for superstition, featuring numerous bhajans and misplaced devotional calls
Supported by Ilaiyaraaja's evocative music and striking cinematography, 'Dorothy' pushes boundaries, challenging societal norms and offering a brave cinematic experience
While Prithviraj Sukumaran embodies the collective rage against systemic apathy, Kareena Kapoor's portrayal of Ajooni offers a more measured view of the judicial system, urging against emotional decision-making
The film, directed by newcomer Safar Sanal, has been drawing packed houses alongside Parvathy Thiruvothu's "Pradhama Drishtya Kuttakkar," proving the audience's appetite for strong, emotion-backed female-centric narratives
'Pradhama Drishtya Kuttakkar' sets another benchmark in investigative thrillers on account of its tight, non-linear screenplay, coupled with exceptional cinematography and an emotionally charged score
Despite a few surprisingly funny moments that worked better than in 'Oppam', 'Haiwaan' struggles to find its own distinct personality and rhythm, ultimately feeling joyless
While the sequel offers some improvements over the first 'Sardar,' such as a more engaging villain in SJ Suryah and an attempt at larger-scale action sequences, it ultimately falls short
'Mirzapur: The Movie' serves as an engaging, albeit lengthy, cinematic side-quest that enriches the established universe and hints at future developments in the series timeline