The seven-episode series is characterised by the same raw and gritty edge that marked some of Vikramaditya Motwane's earlier work, especially his work in the other Netflix series, 'Sacred Games', or the Amazon Prime series 'Jubilee'
By Sajin Shrijith January 14, 2025
Tech bro Bryan Johnson's hyper-regimented self-care routine involves popping 130 pills, blood transfusion, oxygen and light treatments, and experimental gene therapy
By Shubhangi Shah
'Identity' works to a certain extent because of some of the risks it takes to appeal to audiences across India, but the film tries too hard to look "international"
By Sajin Shrijith
Sony executives and shoddy marketing disappoint India audiences with the lazy release of ‘Kraven the Hunter’, a film that had all the right ingredients but served like undercooked game
By Nitin SJ Asariparambil
The latest season of ‘Squid Game’ on Netflix suffers from lazy writing and rehashed character lines and feels like a prelude to a possible third edition
By Gowri Murali
The images tread the dangers of creating a singular imagination against the many versions possible for a complex book like this. But you cannot help but think of the depth it adds to moments that might have been passive in the text
By Gowri Murali
Julia Reichert’s documentary ‘Julia’s Stepping Stones’ on Netflix offers an intimate look at the moments that shaped her into a filmmaker
By Aaliya Farzeen Ashraf
If you are in the mood for high-octane action and graphic violence, ‘Marco’ delivers. Though the story follows a familiar revenge formula, its intense action sequences might keep you hooked—if you can handle the bloodshed
By Aaliya Farzeen Ashraf
Vetrimaaran's cinematic approach to the action sequences is understandable to a certain extent but things begin to get slightly repetitive later, and, I must add, even comical — or unintentionally comical
By Sajin Shrijith
The Sundance audience prize-winning film deserves praise for exploring female sexual awakening, a tricky issue for any era, with such subtlety and deftness
By Shubhangi Shah
The talking animals look realistic, and the visuals are stunning, but the plot is cumbersome and the forced humour is more irritating than funny
By Karthik Ravindranath
This film puts a needle into the left corner of your heart. With every sigh and breath, it pricks a little and hits too close to home. But in the end, the movie salves your wounds
By Gowri Murali
Essentially a home invasion thriller of the good kind, the film draws a lot from Westerns and John Woo actioners. However, the stakes don't seem as high as one expects
By Sajin Shrijith