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‘Ghost in the Cell’ review: Joko Anwar’s Indonesian prison drama, on Prime Video, is a perfectly innovative blend of horror and comedy
Writer-director-editor Joko Anwar expertly blends gruesome horror with well-timed humour and insightful political commentary. Memorable characters and exceptional cinematography elevate the film beyond standard genre tropes
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‘Street Fighter’ (2026) review: Poor plot, choppy edits dampen punches in otherwise perfect action flick
Andrew Koji and Noah Centineo are excellent as Ryu and Ken, Vidyut Jammwal gets some meaty screentime, and Callina Liang gives us an excellent Chun-Li—but will it be enough for fans? Here is the full spoiler-free review
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'Nayyi Navelli' review: Yami Gautam's horror-comedy falls flat
Directed by Balaji Mohan, 'Nayyi Navelli' is a disappointing horror-comedy starring Yami Gautam that blends a witch suspicion plot with elements from the Ramayana, but ultimately suffers from weak writing and a dull execution
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'Jailer 2' review: Far funnier sequel with some of Nelson's best writing, and also his weakest
Despite featuring a strong comedic first half and stellar performances, the Rajinikanth movie struggles with repetitive tropes and underwhelming cameos, not to mention underutilised new additions
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'Digger' review: Tom Cruise and Alejandro G. Iñárritu revive the spirit of Preston Sturges in absurdist comedy
Awkward, in a good way, and polarising, 'Digger' marks a much-welcome departure from Cruise's most recent action-heavy roles
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'Drishyam 3' (Hindi) review: Far superior to the Malayalam version, with standout performances from Jaideep Ahlawat and Prakash Raj
'Drishyam 3: The Conclusion', led by Ajay Devgn, excels by opting for a unique narrative rather than mimicking its predecessors, focusing on emotional depth and intricate storytelling about perceived, genuine, and fabricated truths
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'Yezhu Kadal Yezhu Malai' review: Ram's film preaches compassion while also making some unwelcome creative choices
'Yezhu Kadal Yezhu Malai', directed by Ram and starring Nivin Pauly as an 8,000-year-old immortal, explores the profound weight of an unending existence, particularly the burden of painful memories over joyful ones
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‘The Vvaan: Force of the Forest’ review: So mindless, it doesn't even qualify as brainrot
Despite a premise that could have explored environmental themes, the movie devolves into advocating for superstition, featuring numerous bhajans and misplaced devotional calls
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'Dorothy' review: Karthik Subbaraj's most daring, accomplished film is powered by phenomenal turns from Rishikanth and Sananth
Supported by Ilaiyaraaja's evocative music and striking cinematography, 'Dorothy' pushes boundaries, challenging societal norms and offering a brave cinematic experience
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'Best of the Best' review: Came for the movie, stayed for the songs
Maitreyi Ramakrishnan delivers a memorable performance as Maya
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'Daayra' review: Prithviraj and Kareena anchor a pertinent film that doesn't offer anything new by way of debate
While Prithviraj Sukumaran embodies the collective rage against systemic apathy, Kareena Kapoor's portrayal of Ajooni offers a more measured view of the judicial system, urging against emotional decision-making
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‘Reacher’ Season 4 review: Alan Ritchson’s action hero is at his most vulnerable in the Prime Video series’ best season yet
The latest season introduces a darker, wilder tone, amplifying the action and emotional stakes to a point where Reacher's survival feels genuinely uncertain — imagine a Jason Bourne film with Arnold Schwarzenegger
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'Aasha' review: An excellent Urvashi and Joju George flip the 'good vs bad' narrative in this high-voltage drama
The film, directed by newcomer Safar Sanal, has been drawing packed houses alongside Parvathy Thiruvothu's "Pradhama Drishtya Kuttakkar," proving the audience's appetite for strong, emotion-backed female-centric narratives
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'Pradhama Drishtya Kuttakkar' review: Parvathy Thiruvothu's thriller, directed by Shahad, makes 'Drishyam' feel like a walk in the park
'Pradhama Drishtya Kuttakkar' sets another benchmark in investigative thrillers on account of its tight, non-linear screenplay, coupled with exceptional cinematography and an emotionally charged score
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'Haiwaan' review: A copy-paste remake lacking the magic of the original
Despite a few surprisingly funny moments that worked better than in 'Oppam', 'Haiwaan' struggles to find its own distinct personality and rhythm, ultimately feeling joyless
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'Sardar 2' review: Plenty of gas, very little excitement in this low-rent 'Jawan'
While the sequel offers some improvements over the first 'Sardar,' such as a more engaging villain in SJ Suryah and an attempt at larger-scale action sequences, it ultimately falls short
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‘Mirzapur: The Movie’ review: Bloated runtime aside, a solid addition to the ‘Mirzapur’ franchise
'Mirzapur: The Movie' serves as an engaging, albeit lengthy, cinematic side-quest that enriches the established universe and hints at future developments in the series timeline
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'I'm Game' review: Interesting supernatural action concept marred by lackluster execution
Drawing from a familiar supernatural concept, Dulquer Salmaan's 'I'm Game' struggles to balance its creative potential with generic mass entertainer elements, leading to uninspired action sequences and character portrayals
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‘Toxic’ review: Geetu Mohandas and Yash deconstruct the gangster life through a daring, yet patchy fever dream
Unlike the escapist nature of 'KGF', 'Toxic' aims to deconstruct the invincible gangster myth by narrating the story from a specific, psychologically tormented character's perspective
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‘Bethlehem Kudumba Unit’ review: Girish AD’s best film yet is loaded with ultra pro max feel-good entertainment
Nivin Pauly and Mamitha Baiju deliver their best in a wholesome film. They're directed with impressive finesse by a filmmaker who continues to deliver the goods in a territory he is most comfortable with
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‘Khalifa’ review: A mostly dull gangster drama heavily reliant on a rousing last-minute superstar cameo to revive it
Director Vysakh's 'Khalifa' attempts a grand mass-action film with Shaji Kailas/Joshiy-style ambition, but it ultimately lacks the compelling fire of those legendary Malayalam blockbusters
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‘The End of Oak Street’ review: David Robert Mitchell’s fresh spin on dinosaur mayhem is terrifying and thought-provoking
Unlike the numerous Jurassic franchise sequels that diluted the impact of Spielberg's original, Mitchell's film offers a fresh take on dinosaur mayhem by incorporating a time-travel element
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'Awarapan 2' review: A bitter-sweet return for Emraan Hashmi's Shivam
Emraan Hashmi reclaims his tragic hero avatar and the nostalgic, reworked soundtrack keeps the film afloat
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'Batwara 1947' review: A powerful Partition story lost to Bollywood treatment
Despite being based on a solid premise, and adapted from a stellar play, the Bollywoodised treatment of 'Batwara 1947' renders the storytelling overly-dramatic and equally old-fashioned
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'Vishwanath & Sons' review: Suriya and Mamitha Baiju offer a warm, yet imperfect, family drama
Venky Atluri's film delves into the internal conflict of a man torn between his heart and mind, with Suriya delivering a performance that transcends his previous stylish roles
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