'Tere Ishk Mein' review: Dhanush’s film trades emotion for excess, and calls it love
Aanand L Rai's latest release, 'Tere Ishk Mein' leaves you uneasy, if not triggered
By Shubhangi Shah November 29, 2025
NEW ARRIVALS
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By Sajin Shrijith / November 27, 2025
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By Hariprasad Sadanandan / November 22, 2025
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By Sajin Shrijith / November 21, 2025
‘Eko’ review: A truly outstanding triumph of mystery storytelling
Director Dinjith Ayyathan and writer-cinematographer Bahul Ramesh surpass themselves with their career-best film, led by an impressive Sandeep Pradeep
By Sajin Shrijith
'Kaantha' review: Dulquer Salmaan's strongest role in a largely efficient mystery
As an actor whose on-screen and off-screen personas are easily distinguishable, Dulquer gives a thoroughly committed performance that eerily recalls some of his father's dark early roles
By Sajin Shrijith
'Last Samurai Standing' review: Netflix's impressive new samurai epic bridges old and new sensibilities
Junichi Okada leads the show as the stoic, driven protagonist who bears some qualities of the leading men of yesteryear and contemporary epics in the genre
By Sajin Shrijith
'Predator: Badlands' review: Dan Trachtenberg delivers yet another astounding, brainy action spectacle
Trachtenberg knocks it out of the park with a very human story featuring two unlikely comrades: an extraterrestrial being who sees "sensitivity" as a weakness and an android with "feelings"
By Sajin Shrijith
‘Ithiri Neram’ review: Roshan Mathew and Zarin Shihab bring genuine feelings to the table
Prasanth Vijay’s film is laden with poignant moments and humour, with his two lead actors complementing his direction with stirring performances that aim for the heart and intellect
By Sajin Shrijith
The Taj Story review: When WhatsApp University spills on screen
The film poorly attempts to recycle debunked conspiracy theories about the Taj Mahal. Despite the premise of historical debate, the film ultimately fails as both compelling cinema and a propaganda piece
By Shubhangi Shah
'Aaryan' review: Vishnu Vishal's latest crime thriller lacks the thrills
Vishnu Vishal's latest release 'Aaryan' ends up as a half-baked thriller that misses its mark
By Hariprasad Sadanandan
‘Dies Irae’ review: Pranav Mohanlal aces it in the scariest Malayalam film of the year
After 'Bhoothakaalam' and 'Bramayugam', director Rahul Sadasivan outdoes himself with a trippy, one-of-a-kind horror experience that dares to take some unprecedented leaps
By Sajin Shrijith
'Slow Horses' Season 5 review: High on humour, low on thrills
Season 5 gives more space to J.K. Coe (Tom Brooke), the reclusive operative, to shine. He gets enough opportunities to showcase a whistle-worthy heroic side that emerges when we least expect it
By Sajin Shrijith
'A House of Dynamite' review: Kathryn Bigelow's latest isn't chilling enough
Rebecca Ferguson and Idris Elba lead a film that explores geopolitical tensions through a Rashomon-style narrative, reminiscent of Cold War-era thrillers, with Bigelow's signature gritty aesthetic
By Sajin Shrijith
'Task' review: The best crime series on streaming right now
Mark Ruffalo and Tom Pelphrey lend their electrifying presence to a show bolstered by exceptional writing, populated with three-dimensional characters played by perceptive performers
By Sajin Shrijith
'Thamma' review: A soulless, unexciting, and instantly forgettable adventure
It's a relief to see Rashmika Mandanna play a saviour for a change while Paresh Rawal, as Ayushmann's dad, takes his role very seriously. Nawazuddin Siddiqui gets to have a lot of fun, but fails to induce chills
By Sajin Shrijith