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'The Furious' review: Give this one all the stunt awards
Kenji Tanigaki's film delivers relentless energy with a slightly more realistic approach to its syndicate-busting plot. Starring Joe Taslim as an undercover journalist and Mo Tse as a lethal, silent handyman, the duo forms a compelling partnership driven by personal loss
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‘Cocktail 2’ review: A shallow love triangle built on female stereotypes
A soulless, hollow representation of modern relationships, one that gestures toward commitment anxiety and endless romantic options without saying anything particularly insightful about either
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'The Voice of Hind Rajab' review: A harrowing Gaza tragedy recreated with enough feeling and sense of urgency
Kaouther Ben Hania's film masterfully portrays the profound emotional response evoked by such a horrific event, especially knowing it's a real, unavoidable tragedy
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'Balan' review: Director Chidambaram scores a hat-trick with a surprises-laden coming-of-age drama
In his third film, Chidambaram masterfully stages narratives where characters embody multiple identities, yet their faces convey everything necessary for emotional connection
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'Main Vaapas Aaunga' review: Naseeruddin Shah leads a poignant tale of love and partition in Imtiaz Ali's latest
The film suggests that trauma does not disappear with time; it merely changes shape
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'Disclosure Day' review: Steven Spielberg's sci-fi thriller fails to inspire the same awe as his most iconic work
Spielberg's return to extraterrestrial territory reinterprets classic sci-fi themes with a fresh spin but ultimately feels more like a television episode than a grand event
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'Bandar' review: Anurag Kashyap's new film, written by 'Paatal Lok' writers Sudip Sharma and Abhishek Banerjee, is one of the best prison dramas ever made
"Bandar" marks a triumphant return to the director's signature gritty and unflinching style. Bobby Deol delivers a powerhouse performance as a washed-up celebrity entangled in a harrowing rape accusation, finding himself in a Kafka-esque nightmare
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‘Hai Jawani Toh Ishq Hona Hai’ review: Varun Dhawan's comedy mistakes noise for charm
Despite a potentially sharp premise for a relationship comedy, the movie opts for broad slapstick and contrived situations with dated humour
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'Mollywood Times' review: Abhinav Sunder Nayak delivers another winner that takes a journalistic peek behind the soiled curtains of showbiz
Just like his debut "Mukundan Unni Associates", Abhinav Sunder Nayak's new film distinguishes itself with its strong cynical outlook and rich detail, setting it apart from more optimistic narratives about aspiring filmmakers.
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‘Masters of the Universe’ review: He-Man delivers nuance for Gen Alpha and nostalgia for millennials
By the Power of Grayskull! Despite the slips, the 2026 version of He-Man was made for a generation to introduce their kids to the Masters of the Universe in full glory
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'Maa Behen' review: This Netflix film is a bumpy and chaotic ride with a lot of ‘killer ideas’
While performances, especially from Madhuri Dixit, Tripti Dimri, and debutant Dharana, are strong, the film's artificial tone can create a disconnect
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'Peddi' review: A bit of creative subversion aside, this Ram Charan movie feels like a three-hour stage drama shot with a cinema camera
For a movie about a hero seeking an identity for himself and his people, "Peddi" itself suffers from an identity crisis, attempting to marry the grand storytelling of fantasy epics with a grounded social narrative
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'Obsession' review: A creepy offspring of 'Misery' and 'Fatal Attraction' that understands the basics of good horror
Curry Barker's "Obsession" excels as a testament to patient filmmaking, a rare gem in an era of fleeting digital attention spans
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'Kattalan' review: A less violent, fairly exciting 'Marco' universe entry that suffers from familiarity
Though it doesn't break any new ground, 'Kattalan' should appeal to those who have been looking for another 'A' rated action-packed outing from Malayalam cinema after 'Marco'
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'The Mandalorian and Grogu' review: A fun, satisfying standalone 'Star Wars' mission with a James Bond nod
Despite not reaching the peak of the some of 'The Mandalorian' episodes, the latest 'Star Wars' live-action film entry offers a satisfactory matinee serial experience for religious fans of the show
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'Drishyam 3' review: Mohanlal, Jeethu Joseph deliver exactly what was promised with a film that doesn't aim for the highs of its predecessors
With DNA traces belonging to Mohanlal's iconic emotion-driven, family-centric dramas from the 1980s and 1990s, "Drishyam 3" ultimately avoids becoming a complete retread of the first two films
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'Athiradi' review: Basil Joseph, Tovino Thomas, and Vineeth Sreenivasan bring a festive atmosphere to an entertainer that occasionally feels overstuffed
Like director Arun Anirudhan's co-writing effort "Minnal Murali", a 'heroic' origin story is presented in "Athiradi", but one where the 'hero' doesn't have any superpowers. The coming-of-age arc sees an unlikeable man eventually proving his worth
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'Legends' review: Netflix's incredible new crime series would make a fitting companion piece to HBO's 'The Wire'
Created by Neil Forsyth, "Legends" navigates complex scenarios involving drug lords of different nationalities, unexpected and unpredictable informants, volatile criminal figures from the country and abroad, betrayals, and rescue operations
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‘Daredevil: Born Again’ S2 review | Disney drains the soul out of the Devil of Hell’s Kitchen
The Man Without Fear faces Kingpin with ease, but fails to beat the callousness of the big mouse
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‘Mortal Kombat II’ review: A fan-first gory celebration of the games and their legendary characters
Sub-Zero returns as Noob Saibot, but how will Earthrealm find Scorpion to help them? Johnny Cage has the answer
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'Dridam' review: Shane Nigam shoulders a delightfully deceptive thriller with an immensely rewarding ending
For a change, it's refreshing to see a police hero who doesn't have any vices or doesn't suffer from a triggering trauma from a past tragedy. Shane Nigam's new film creates this impressive smoke-and-mirrors effect that enhances the impact of the finale
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'Patriot' review: Fast-paced whistleblower drama with impressive scale, but where's the rage?
The presence of Mammootty and Mohanlal in the film, written and directed by Mahesh Narayanan, naturally brings a lot of hype, but the enterprise lacks the necessary vitality to justify any of the big casting choices
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'Ek Din' review: Even Sai Pallavi cannot save this messy romantic drama
'Ek Din', starring Junaid Khan and Sai Pallavi, is another addition to the long list of forgettable romantic films from Bollywood
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'The Devil Wears Prada 2' review: In the age of AI, Miranda Priestly's still here to slay
In a world increasingly run by data, 'The Devil Wears Prada 2' makes a familiar, if comforting, argument that taste—however elitist—still has a place
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'Kara' review: Dhanush's thriller, directed by Vignesh Raja, is technically ambitious, emotionally inert
Despite being rooted in strong emotions, the film fails to rise beyond surface-level drama. However, it gives Vignesh Raja enough opportunities to stage some of the most elaborate and suspenseful heist sequences ever put to film
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