Madhuri Dixit's portrayal of a serial killer falls flat in a crime-thriller burdened by an absurd premise and weak writing. Directed by Nagesh Kukunoor, this remake of the French show "La Mante" struggles to generate suspense or justify its core logic
By Shubhangi Shah December 20, 2025
The film, which earned an Oscar nomination, offers a meditative journey into the forgotten chapters of World War II in Papua New Guinea, connecting Indian historians with a local war veteran
By Jane Joseph
While packing in a lot, the film's stellar performances, especially from Farida Jalal and Kritika Kamra, make it an engaging and standout watch
By Shubhangi Shah
The show deliberately focuses on the everyday lives, dreams, and resilience of its characters, presenting a 'real' Kashmir humming with energy and hope
By Shubhangi Shah
The poignant moments are few and far between. Baumbach and Emily Mortimer's writing doesn’t allow enough time to get us acquainted with the characters to the point of getting us deeply invested in their lives
By Sajin Shrijith
The film's powerful core is diluted by overt jingoism, unnecessary elements, and a tendency to dumb down its message for the audience. Despite these irritants, it remains a largely engaging, albeit flawed, tribute to India's heroes
By Karthik Ravindranath
Mammootty's incredible chameleonic abilities are once again put to great use in a thriller that takes many interesting detours along the way. Directed by Jithin K. Jose, 'Kalamkaval' marks the arrival of another promising filmmaker
By Sajin Shrijith
Aanand L Rai's latest release, 'Tere Ishk Mein' leaves you uneasy, if not triggered
By Shubhangi Shah
Set primarily within a beauty parlour, the film follows a woman battling immense personal distress, finding unexpected therapy and strength through the bonds of sisterhood
By Sajin Shrijith
The third season of 'The Family Man' doesn't live upto the standards set by its predecessors
By Hariprasad Sadanandan
The two actors, along with Priyamvada Krishnan, deliver strong turns in director Jayan Nambiar's efficient, if not flawless, debut
By Sajin Shrijith
Director Dinjith Ayyathan and writer-cinematographer Bahul Ramesh surpass themselves with their career-best film, led by an impressive Sandeep Pradeep
By Sajin Shrijith
As an actor whose on-screen and off-screen personas are easily distinguishable, Dulquer gives a thoroughly committed performance that eerily recalls some of his father's dark early roles
By Sajin Shrijith