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'Daayra' review: Prithviraj and Kareena anchor a pertinent film that doesn't offer anything new by way of debate
While Prithviraj Sukumaran embodies the collective rage against systemic apathy, Kareena Kapoor's portrayal of Ajooni offers a more measured view of the judicial system, urging against emotional decision-making
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‘Reacher’ Season 4 review: Alan Ritchson’s action hero is at his most vulnerable in the Prime Video series’ best season yet
The latest season introduces a darker, wilder tone, amplifying the action and emotional stakes to a point where Reacher's survival feels genuinely uncertain — imagine a Jason Bourne film with Arnold Schwarzenegger
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'Aasha' review: An excellent Urvashi and Joju George flip the 'good vs bad' narrative in this high-voltage drama
The film, directed by newcomer Safar Sanal, has been drawing packed houses alongside Parvathy Thiruvothu's "Pradhama Drishtya Kuttakkar," proving the audience's appetite for strong, emotion-backed female-centric narratives
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'Pradhama Drishtya Kuttakkar' review: Parvathy Thiruvothu's thriller, directed by Shahad, makes 'Drishyam' feel like a walk in the park
'Pradhama Drishtya Kuttakkar' sets another benchmark in investigative thrillers on account of its tight, non-linear screenplay, coupled with exceptional cinematography and an emotionally charged score
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'Haiwaan' review: A copy-paste remake lacking the magic of the original
Despite a few surprisingly funny moments that worked better than in 'Oppam', 'Haiwaan' struggles to find its own distinct personality and rhythm, ultimately feeling joyless
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'Sardar 2' review: Plenty of gas, very little excitement in this low-rent 'Jawan'
While the sequel offers some improvements over the first 'Sardar,' such as a more engaging villain in SJ Suryah and an attempt at larger-scale action sequences, it ultimately falls short
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‘Mirzapur: The Movie’ review: Bloated runtime aside, a solid addition to the ‘Mirzapur’ franchise
'Mirzapur: The Movie' serves as an engaging, albeit lengthy, cinematic side-quest that enriches the established universe and hints at future developments in the series timeline
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'I'm Game' review: Interesting supernatural action concept marred by lackluster execution
Drawing from a familiar supernatural concept, Dulquer Salmaan's 'I'm Game' struggles to balance its creative potential with generic mass entertainer elements, leading to uninspired action sequences and character portrayals
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‘Toxic’ review: Geetu Mohandas and Yash deconstruct the gangster life through a daring, yet patchy fever dream
Unlike the escapist nature of 'KGF', 'Toxic' aims to deconstruct the invincible gangster myth by narrating the story from a specific, psychologically tormented character's perspective
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‘Bethlehem Kudumba Unit’ review: Girish AD’s best film yet is loaded with ultra pro max feel-good entertainment
Nivin Pauly and Mamitha Baiju deliver their best in a wholesome film. They're directed with impressive finesse by a filmmaker who continues to deliver the goods in a territory he is most comfortable with
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‘Khalifa’ review: A mostly dull gangster drama heavily reliant on a rousing last-minute superstar cameo to revive it
Director Vysakh's 'Khalifa' attempts a grand mass-action film with Shaji Kailas/Joshiy-style ambition, but it ultimately lacks the compelling fire of those legendary Malayalam blockbusters
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‘The End of Oak Street’ review: David Robert Mitchell’s fresh spin on dinosaur mayhem is terrifying and thought-provoking
Unlike the numerous Jurassic franchise sequels that diluted the impact of Spielberg's original, Mitchell's film offers a fresh take on dinosaur mayhem by incorporating a time-travel element
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'Awarapan 2' review: A bitter-sweet return for Emraan Hashmi's Shivam
Emraan Hashmi reclaims his tragic hero avatar and the nostalgic, reworked soundtrack keeps the film afloat
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'Batwara 1947' review: A powerful Partition story lost to Bollywood treatment
Despite being based on a solid premise, and adapted from a stellar play, the Bollywoodised treatment of 'Batwara 1947' renders the storytelling overly-dramatic and equally old-fashioned
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'Vishwanath & Sons' review: Suriya and Mamitha Baiju offer a warm, yet imperfect, family drama
Venky Atluri's film delves into the internal conflict of a man torn between his heart and mind, with Suriya delivering a performance that transcends his previous stylish roles
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'Thudakkam' review: A promising plot lost in a haze of cigarettes and clichés
Despite a few sensitive moments and strong supporting performances, Jude Anthany Joseph’s film ultimately fails to make a lasting impression
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‘DC’ review: Lokesh Kanagaraj’s Clyde meets Wamiqa Gabbi’s Bonnie in Arun Matheshwaran’s best film yet
Drawing inspiration from world and international cinema, Matheshwaran crafts a visually stunning narrative with a warm, elegant aesthetic that contrasts with his known style of violent filmmaking
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'Eagles of the Republic' review: An actor is forced to make propaganda films in chilling Egyptian thriller
The digital release of Tarik Saleh's film coincides with concerning similar events in India, highlighting its potent and timely commentary on state control and censorship. Amr Waked's portrayal of a menacing government official is particularly impactful, given his real-life persecution for criticising the Egyptian government
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'72 Hours' review: World's worst midlife crisis
Starring Kevin Hart, '72 Hours' is an embarrassing portrayal of a midlife crisis. It attempts to comment on Gen Z but relies on shallow stereotypes and offensive humor, including a subplot that trivialises infidelity
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'Unmadham' review: Hat-trick win for Kunchacko Boban, writer Shahi Kabir; strong directorial debut for editor Kiran Das
'Unmadham' successfully combines crime investigation, personal drama, and supernatural elements, leaving the audience to interpret its ambiguous nature until the very end
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‘Spider-Man: Brand New Day’ NO-SPOILER Review: Best Spidey movie since Raimi’s 2004 superhit
Tom Holland finally transforms into a mature Spider-Man in ‘Brand New Day’: Long-time Spidey fans will love it, but it may push away the MCU purists, and that’s a good thing
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'Jana Nayagan' review: An exhausting three-hour political campaign masquerading as a wannabe Shankar movie
The Vijay-starrer attempts to blend multiple social messages and political commentary with entertainment, but ultimately falls short due to its excessive length and lack of focus
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'The Odyssey' review: A bigger, grander thematic successor of Christopher Nolan's 'Memento' and Batman trilogy
'The Odyssey' represents a culmination of Christopher Nolan's directorial prowess, delivering a complex and emotionally resonant cinematic journey worth experiencing on a giant screen
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'Satluj' review: Stellar performances drive powerful narrative of justice and accountability
The film's narrative masterfully builds an atmosphere of dread, immersing the audience in a reality where fear and uncertainty permeated daily life, avoiding the pitfalls of a conventional loud political thriller
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'I, Nobody' review: Prithviraj Sukumaran delivers one of his finest performances in a cleverly staged edge-of-the-seat thriller
Director Nisam Basheer's third movie is an enthralling experience that showcases an ordinary protagonist, a true 'nobody,' who displays immense courage when faced with overwhelming chaos
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