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'72 Hours' review: World's worst midlife crisis
Starring Kevin Hart, '72 Hours' is an embarrassing portrayal of a midlife crisis. It attempts to comment on Gen Z but relies on shallow stereotypes and offensive humor, including a subplot that trivialises infidelity
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'Unmadham' review: Hat-trick win for Kunchacko Boban, writer Shahi Kabir; strong directorial debut for editor Kiran Das
'Unmadham' successfully combines crime investigation, personal drama, and supernatural elements, leaving the audience to interpret its ambiguous nature until the very end
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‘Spider-Man: Brand New Day’ NO-SPOILER Review: Best Spidey movie since Raimi’s 2004 superhit
Tom Holland finally transforms into a mature Spider-Man in ‘Brand New Day’: Long-time Spidey fans will love it, but it may push away the MCU purists, and that’s a good thing
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'Jana Nayagan' review: An exhausting three-hour political campaign masquerading as a wannabe Shankar movie
The Vijay-starrer attempts to blend multiple social messages and political commentary with entertainment, but ultimately falls short due to its excessive length and lack of focus
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'The Odyssey' review: A bigger, grander thematic successor of Christopher Nolan's 'Memento' and Batman trilogy
'The Odyssey' represents a culmination of Christopher Nolan's directorial prowess, delivering a complex and emotionally resonant cinematic journey worth experiencing on a giant screen
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'Satluj' review: Stellar performances drive powerful narrative of justice and accountability
The film's narrative masterfully builds an atmosphere of dread, immersing the audience in a reality where fear and uncertainty permeated daily life, avoiding the pitfalls of a conventional loud political thriller
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'I, Nobody' review: Prithviraj Sukumaran delivers one of his finest performances in a cleverly staged edge-of-the-seat thriller
Director Nisam Basheer's third movie is an enthralling experience that showcases an ordinary protagonist, a true 'nobody,' who displays immense courage when faced with overwhelming chaos
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'Voicemails For Isabelle' review: Heartwarming rom-com with emotional depth
Zoey Deutch delivers a powerful performance in Leah McKendrick's film, authentically portraying the pain of loss, while Nick Robinson complements her with undeniable chemistry
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'Alpha' review: Forced swag and unconvincing ‘family’ drama, coupled with distracted and repetitive storytelling, play spoilsport
Despite some well-executed fight scenes, this Alia Bhatt-starrer disappoints with predictable twists and a reliance on tropes, failing to offer anything truly new to the female-led spy genre, especially when compared to international benchmarks
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'Notes from the Last Row' review: Choi Min-sik is an enigmatic professor in Netflix's brilliantly thought-provoking Korean thriller series
Choi Min-sik, known for his intense performances in films like "Oldboy", "I Saw the Devil", and "Exhuma", leads this thoroughly captivating six-episode psychological thriller
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'I Will Find You' review: Sam Worthington's Netflix show is an 'airport novel' thriller tailored for low attention spans
While not aiming for deep cinematic artistry, the show excels at keeping viewers hooked with constant twists and turns. Sam Worthington delivers a compelling performance as David Burroughs, anchoring the series' central theme of fathers and children
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‘Supergirl’ review: Intense, overpowered, fun, and a major upgrade on ‘Superman’
Milly Alcock shines in ‘Supergirl’ and gives us a well-put-together comic-book movie, but will it be enough?
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'Ananthan Kaadu' review: Arya's new film boasts impressive scale and action, but lacks a notable personality, just like its characters
Murali Gopy's writing presents trademark themes of humanity transcending societal divisions, but that initial promise of complexity and visual flair eventually gives way to weariness
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'The Furious' review: Give this one all the stunt awards
Kenji Tanigaki's film delivers relentless energy with a slightly more realistic approach to its syndicate-busting plot. Starring Joe Taslim as an undercover journalist and Mo Tse as a lethal, silent handyman, the duo forms a compelling partnership driven by personal loss
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‘Cocktail 2’ review: A shallow love triangle built on female stereotypes
A soulless, hollow representation of modern relationships, one that gestures toward commitment anxiety and endless romantic options without saying anything particularly insightful about either
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'The Voice of Hind Rajab' review: A harrowing Gaza tragedy recreated with enough feeling and sense of urgency
Kaouther Ben Hania's film masterfully portrays the profound emotional response evoked by such a horrific event, especially knowing it's a real, unavoidable tragedy
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'Balan' review: Director Chidambaram scores a hat-trick with a surprises-laden coming-of-age drama
In his third film, Chidambaram masterfully stages narratives where characters embody multiple identities, yet their faces convey everything necessary for emotional connection
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'Main Vaapas Aaunga' review: Naseeruddin Shah leads a poignant tale of love and partition in Imtiaz Ali's latest
The film suggests that trauma does not disappear with time; it merely changes shape
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'Disclosure Day' review: Steven Spielberg's sci-fi thriller fails to inspire the same awe as his most iconic work
Spielberg's return to extraterrestrial territory reinterprets classic sci-fi themes with a fresh spin but ultimately feels more like a television episode than a grand event
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'Bandar' review: Anurag Kashyap's new film, written by 'Paatal Lok' writers Sudip Sharma and Abhishek Banerjee, is one of the best prison dramas ever made
"Bandar" marks a triumphant return to the director's signature gritty and unflinching style. Bobby Deol delivers a powerhouse performance as a washed-up celebrity entangled in a harrowing rape accusation, finding himself in a Kafka-esque nightmare
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‘Hai Jawani Toh Ishq Hona Hai’ review: Varun Dhawan's comedy mistakes noise for charm
Despite a potentially sharp premise for a relationship comedy, the movie opts for broad slapstick and contrived situations with dated humour
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'Mollywood Times' review: Abhinav Sunder Nayak delivers another winner that takes a journalistic peek behind the soiled curtains of showbiz
Just like his debut "Mukundan Unni Associates", Abhinav Sunder Nayak's new film distinguishes itself with its strong cynical outlook and rich detail, setting it apart from more optimistic narratives about aspiring filmmakers.
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‘Masters of the Universe’ review: He-Man delivers nuance for Gen Alpha and nostalgia for millennials
By the Power of Grayskull! Despite the slips, the 2026 version of He-Man was made for a generation to introduce their kids to the Masters of the Universe in full glory
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'Maa Behen' review: This Netflix film is a bumpy and chaotic ride with a lot of ‘killer ideas’
While performances, especially from Madhuri Dixit, Tripti Dimri, and debutant Dharana, are strong, the film's artificial tone can create a disconnect
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'Peddi' review: A bit of creative subversion aside, this Ram Charan movie feels like a three-hour stage drama shot with a cinema camera
For a movie about a hero seeking an identity for himself and his people, "Peddi" itself suffers from an identity crisis, attempting to marry the grand storytelling of fantasy epics with a grounded social narrative
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