Dolittle review: Little to write home about
It is a frightening thought, but films like these make one wonder whether Robert
By Hannah Rachel Abraham January 17, 2020
NEW ARRIVALS
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By Priyanka Bhadani / January 17, 2020
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By Fahmi Muhammed / January 16, 2020
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By Priyanka Bhadani / January 10, 2020
'Chhapaak' review: Deepika owns the screen in honest portrayal of women's struggles
Vikrant Massey delivers a terrific performance as activist Amol
By Priyanka Bhadani
'Good Newwz' review: An entertainer through and through
It is the the end of the year and what better way to bid goodbye to the year...
By Priyanka Bhadani
Star Wars: The Rise of Skywalker review - Tame end to an era
An overdose of nostalgia robs the trilogy of originality
By Reuben Joe Joseph
'Darbar' review: Rajinikanth pulls through in a sluggish cop entertainer
With a weak villain character and long flashback, Darbar is worth only the...
By Lakshmi Subramanian
‘Valiyaperunnal’ review: Shane Nigam breaks the mould in this vibrant film
Himika has attempted a good headstart in Mollywood
By Merin Sara Itty
'Mardaani 2' review: An important theme that loses out to drama, heroine pandering
Mardaani 2, like Mardaani, is, for the most part, about bringing women down
By Priyanka Bhadani
'Jumanji: The Next Level' review: A fun ride that offers nothing new
The movie feels more like a rehash
By Archana Vijay
'Mamangam' review: Mammootty is passable; watch it for child artist Achuthan
Mamangam is worth a one-time watch
By Archana Vijay
'Chola' review: Sanal Kumar Sasidharan is back with another unsettling film
Chola fills you with fear, and is definitely not for the faint-hearted
By Archana Vijay
Panipat review: A tale of bravery and betrayals
Director Ashutosh Gowariker seems to have taken the bashing from media and...
By Priyanka Bhadani
'Enai Noki Paayum Thota' review: The bullet misses mark
Over-reliance on narration in the second half reduces interest in the...
By Lakshmi Subramanian
'Commando 3' review: Jingoism, Muslim stereotypes no formula for a good film
The film falls flat with its excessive jingoism and hero worship
By Priyanka Bhadani