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Box office: 'Dhurandhar: The Revenge' undisturbed by 'Bhooth Bangla' as Ranveer Singh movie registers highest occupancy on Day 31 since fourth Sunday

On Day 31, the worldwide total earnings of "Dhurandhar 2" surpassed the lifetime worldwide collection of Allu Arjun's "Pushpa 2: The Rule". After a month-long run, the spy sequel registered the same level of occupancy its predecessor did on its 31st day

Even after a month-long run, "Dhurandhar 2" shows no sign of slowing down, indicating nearly the same kind of performance demonstrated by its predecessor. On Day 31, that is the fifth Saturday, the Ranveer Singh movie collected Rs 4.65 crore with a 25% occupancy, the highest recorded for the sequel since the fourth Sunday.

As per data tracked by Sacnilk, Day 31’s net earnings witnessed a 72.2% growth from Day 30's net collection (Rs 2.70 crore), from 3,913 shows. This takes the India net total to Rs 1,110.47 crore (and counting) and India-gross to Rs 1,329.31 crore (and counting).

Combined with the overseas gross of Rs 419.60 crore, "Dhurandhar 2" has earned a total worldwide gross of Rs 1,748.91 crore, beating the lifetime worldwide total gross of "Pushpa 2: The Rule" (est. Rs 1742.10 crore).

Interestingly, "Dhurandhar 2" is performing with the same level of occupancy as "Dhurandhar (Part 1)" on Day 31 (25%). The only difference is that Day 31 for "Dhurandhar - Part 1" was the fifth Sunday, unlike in the case of "Dhurandhar 2". But even the original's fifth Saturday occupancy was nearly the same number (22%).

The other difference between the box office performances of both “Dhhurandhar” movies is that the original film raked in more numbers on its Day 30 and Day 31 as opposed to the sequel. It did numbers of Rs 11 crore upwards on these days, when compared to the numbers the sequel earned on its fifth Saturday. (The fifth Sunday numbers are still awaited.)

"Dhurandhar 2", on the other hand, fetched more front-loaded earnings, compared to its predecessor, driven by massive opening-weekend hype and pre-established franchise popularity.

Regardless, when we look at the performance in terms of the occupancy alone, maintaining an occupancy of above 10%  after a month-long theatrical run is generally considered a healthy sign and indicates a film has strong "legs" in the box office, especially in competitive markets.

While 10% may seem low compared to opening weekend figures, it goes without saying that a film that sustains an occupancy rate above 10% (particularly with higher evening show rates, such as 15%–18%) in its fifth weekend often indicates good word-of-mouth and continuing interest, as seen in cases where a film's daily performance remains stable despite being in theaters for a month.

In today’s market, where theatrical windows are shorter (4 to 8 weeks), maintaining double-digit occupancy into the second month is generally a sign of a successful, sustained run.

Also, the fact that the film is pulling such numbers even with the arrival of another big-ticket release, Akshay Kumar's "Bhooth Bangla", and grabbing a relatively larger number of screens, is indeed impressive.

Directed by Priyadarshan, "Bhooth Bangla", which sees the filmmaker’s reunion with Akshay Kumar after 17 years, earned Rs 35 crore in domestic net collection and Rs 42 crore in domestic gross. Along with an overseas gross of Rs 18.50 crore, the horror-comedy's worldwide gross now stands at Rs 60.50 crore.

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