Watching his new film Joji is like reading between the lines of Macbeth with audiences seeing the connection with the Shakespearean tragedy in some scenes and not in others, says Malayalam star Fahadh Faasil who is drawn to live in characters.
That's the quality perhaps that attracted him to Joji too, an expansive tale of greed and ambition that plays out through the story of a family in a rich Kerala plantation during COVID times.
"The film's narrative is not a direct adaptation of Macbeth. We were deeply inspired by it and we were trying to set something inspired by Macbeth in today's scenario," Faasil said.
"Joji is not as large as Macbeth… The drama happens within the family. I thought the emotions of Macbeth were more relative to the story," Faasil, who has kept himself busy with back-to-back movies even during the pandemic, added.
The story of his latest film revolves around Faasil's character Joji, an engineering dropout living with his iron-fisted father and two brothers. When his father falls ill, Joji looks forward to finally getting his share in the property but his dreams are dashed when his father starts recuperating, forcing him to take an extreme step.
According to Faasil, best known for Kerala Cafe, Akam, Bangalore Days, Kumbalangi Nights and Tamil film Super Deluxe, ambition and greed, the two emotions explored in Macbeth, are easily relatable to most people.
Asked about his mastery over morally ambiguous, sly, and not-so-successful characters in cinema, the 38-year-old said he looks for familiarity in all the characters he plays.
"Any character I play, I make it a point to make it look familiar. You never want the character to be foreign. I want the character to be within the narrative. The challenge of doing a ''Macbeth'' in COVID times was to bring in that familiarity. Joji is very unstable. In my reading, I found Macbeth to be very unstable," he said.
Joji, which is currently streaming on Amazon Prime Video, is the actor-producer's third release in a short span of time and comes after the critically-acclaimed thriller C U Soon and serial killer drama Irul.
Faasil said it may appear he is doing a lot of movies but he never commits to too many projects. Instead, he focuses his energies on finding exciting stories.
"I don't work on a timeline or schedule or anything like this. I just shoot what I''m excited about. I believe that there are timelines for films and timelines for the story to be told.
"If you take Trance… I shot for that film for two years and did not take any film during that span. My shoot processes are very short, like 100 days or three months. We take a lot of time during the post-production. By the time I am ready with the film, I will have finished another film. So, eventually, all my films will be ready at the same time," he said.
These days, Faasil is recuperating from an accident in which he broke his nose. It was during the shoot for Malayankunju, being produced by his filmmaker father Fazil and it will take him at least a month to recover.
"I have easily a month off so I'm going to slow down," he said.
Joji reunites Faasil with director Dileesh Pothan, with whom he previously did Maheshinte Prathikaaram and Thondimuthalum Driksakshiyum and co-produced the cult favourite Kumbalangi Nights.
With Joji, Pothan wanted to set up something intimate on a Macbeth like canvas, an idea that instantly appealed to Faasil.
"Dileesh is a trained stage actor and very much familiar with the drama format of ''Macbeth''. He called me one evening and said, ''there is something that I want to place in terms of Macbeth. It will be set in the canvas of ‘Macbeth’ but it''s not a direct adaptation''.
"People can see the connection in some scenes and there are none in other scenes. It's like reading between the lines," the actor explained.
They took over a property in the woods and transformed it in 50 days for the shoot, which was completed in about 70 days.
The film is rich with nuance and details that propel the characters forward.
"We hardly go out of the house or the property. Setting up the same dramatic sequences in the same space over and over is a challenging exercise. The only way to make it interesting is to go into the detailing and in each scene, you make the audiences discover something they have not seen in a previous scene."
The National Award-winning actor's admirers are growing outside of Malayalam cinema thanks to a generation discovering him on OTT platforms and Faasil said his attempt is always to get his films across till they start speaking for themselves.
